Main Article Content

Abstract

Purpose: The purpose of this research is to describe the writing process of the background music for Bali Channel Tourist TV program at Bali TV.


Research methods: The process of writing the background music for Bali Channel Tourist TV program at Bali TV includes some following stages: observation stage, interview stage, trial stage, and review stage.


Results and discussion: In the process of writing the background music, some important points are: first, observing and gathering information as references for producing background music writing; second, creating some music concepts using the applications for recording named digital audio workstations (DAW); third, discussing the concepts of music with the producers of the Bali Channel Tourist TV in order to get to the final concepts of music; fourth, reviewing the background music which has been created together with the manager of Bali TV Production and the producers of the Bali Channel Tourist TV; fifth, mixing the video and audio using the editing applications like Filmora, Pinnacle Studio, and Adobe Premiere Pro.


Implication: The writing of background music in the Bali Channel Tourist TV program has a good impact on Bali TV, especially in its music production process.

Keywords

television program background music television music scoring

Article Details

How to Cite
Wuran, F. K., Irawan, R., Prasetyo, G. E., & Ardini, N. W. (2022). Writing Background Music for “Bali Channel Tourist TV” Television Program. Jurnal Bali Membangun Bali, 3(2), 99-110. https://doi.org/10.51172/jbmb.v3i2.230

References

  1. Cardenas, M. A. (2021). Music Composition Using Assosiative Meomories: A Virtual Studio Technology Plugin Implementation. Udlap.
  2. Fachruddin, A. (2012). Dasar-dasar Produksi Televisi Produksi: Berita, Feature, Laporan Investigasi, Dokumenter, dan Teknik Editing. Jakarta: Prenadamedia Groub.
  3. Imtihan, K., & Basri, M. H. (2019). Sistem Informasi Pembuatan Manifest Muatan Kapal Berbasis Dekstop dan Android. Jurnal Manajemen Informatika & Sistem Informasi, 71.
  4. Indirakirana, A., & Krisnayanie, N. M. (2021). Upaya Perlindungan Hak Cipta Konten Youtube WNA Yang Dijiplak Oleh WNI dalam Perspektif Bern Convention. Ganesha Law And Review, 88.
  5. Kusumaningrum, H., & Sukistono, D. (2020). Analisis Proses Rekaman Musik Dengan Metode Digital di Cover Studio. Journal Of Music Science, Technology, And Industry (JOMSTI), 239.
  6. Kuswita, H. (2014). Perencanaan dan Produksi Program Televisi Pendidikan. Komunikologi: Journal Ilmiah Ilmu Komunikasi, 86.
  7. Latief, R., & Utud, Y. (2017). Siaran Televisi Non Drama Kreatif, Produktif, Public Relations, Dan Iklan. Jakarta: Kencana.
  8. Prasetyo, G. E. (2019). Roles And Responsibilities Of Music Director: A Case Study Of Geronimo Radio And Swaragama Fm, Yogyakarta. Journal of Music Science, Technology, and Industry (JOMSTI), 249.
  9. Sugiyono. (2013). Metode Penelitian Kuantitatif,Kualitatif, Dan R&D. Bandung: Alfabeta, Cv.
  10. Supper, A. (2018). Listening For The Hiss: Lo-Fi Liner Notes As Curatorial Practices. Cambridge University Press.
  11. Sushartami, W., Djohan, & Nindita, A. (2019). Respons Emosi Musikal Pelanggan Terhadap Musik Latar di Laseca Salon & Spa Yogyakarta. Perpustakaan UGM.
  12. Syahrian, A., Irawan, R., & Aryanto, A. S. (2019). Bentuk dan Makna Lagu Ida Sang Sujati karya I Komang Darmayuda. Journal of Music Science, Technology, and Industry (JOMSTI).