Article Sidebar

Download
Full Text
Statistic
Read Counter : 259 Download : 320

Main Article Content

Abstract

Purpose: This paper aims to discuss a new dance creation entitled "Nataka Bhinna" which comes from a cross-gender phenomenon.


Research method: Using Balinese gamelan and MIDI (musical instrument digital interface), the dance is presented with stage choreography at Museum Puri Lukisan Ubud. Its analysis uses imagination theory, aesthetic theory, and semiotic theory.


Results and discussion: The movement motifs used in "Nataka Bhinna" dance work using ngagem are created to follow the theme raised in the arrangement of the work. The tandang movement was developed without eliminating the grip of the away movement itself. The tangkep movement is developed according to the expression and emphasizes the characters used.


Implication: This dance has a message related to how human should humanize humans.

Keywords

tari kreasi baru lintas gender Nataka Bhinna

Article Details

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Authors who publish with this journal agree to the following terms:

Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.

Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.

Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

How to Cite
Harjunanthara, A. A. B., Sariada, I. K., & Ruspawati, I. A. W. (2022). “Nataka Binna”: Karya Tari Fenomena Lintas-Gender dan Penolakan Perundungan. Jurnal Bali Membangun Bali, 3(3), 221-228. https://doi.org/10.51172/jbmb.v3i3.237

References

  1. Ardini, N. W. (2018). Balinese Pop Music: An Industrialization Era. Journal of Music Science, Technology, and Industry, Vol. 1, No. 1., Institut Seni Indonesia Denpasar.
  2. Ardini, N. W. (2015). Industrialisasi Musik Pop Bali: Ideologi, Kepentingan, dan Praktiknya, Segara Widya: Jurnal Penelitian Seni, Institut Seni Indonesia Denpasar.
  3. Ardini, N. W. (2016). Produksi, Distribusi, dan Konsumsi Dalam Industrialisasi Musik Pop Bali, Mudra Jurnal Seni Budaya, Institut Seni Indonesia Denpasar, Vol. 31, No. 1.
  4. Croci, C. L. (2016). Is Entreprenuership a Dicipline?
  5. Fahmi, I. (2011). Manajemen Kepemimpinan : Teori dan Aplikasi . Bandung: Alfabeta.
  6. Kotler, P., & Amstrong, G. (2004). Principles of Marketing, Pretice Hall Inc.,. New Jersey: Englewood Cliffs.
  7. Kusuma, P. S. (2020). Children Virtual Concertin the Covid-19 Pandemic. Journal of Music Science, Technology, and Industry, 248.
  8. Kusumaningrum, H., & Dewanto, S. (2020). Analisis Proses Rekaman Musik dengan Metode Digital di Cover Studio. Journal of Music Science, Technology, and Industry, 240.
  9. Moleong, Lexy J. 2007. Metode Penelitian Kualitatif. Bandung: Remadja Karya.